Zingali Home Monitor Plus 2.8

With Home Monitor 2.8 it is different, but I will not write that they play like hundreds or thousands of other “conventional” constructions, because … they do not play that way. They play better, faster and direct. They are simply more relaxed in what they were created for – reproducing music and doing it in an incredibly natural way, with an innate charm and genetically programmed spontaneity. Their immediacy is terrifying, the ability to pass in one chili from the gentle hum of the wind, lazily rolling golden cereal fields to the roar of a passing fighter, or a powerful explosion. After coming to the above conclusions, I realized that I was subconsciously reaching for material offering such a spectacular experience. It does not matter if Avida landed a big opera symphonic – Verdi’s “Il Trovatore” (Leontyne Price, Elena Obrazcowa, R.Rimimi / Berlin Philharmonic Orchestra, Herbert von Karajan), “geriatric” rock in the style of “Now What ?!”

Deep Purple, or massaging the visage with the Madonna’s Ray of Light synthetic bass every time, the sound filled my room with unrestrained freedom and was excruciatingly encouraged to jump over the eye, two above with the loudness. that, to some extent, I subconsciously reach for material offering such a spectacular experience. It does not matter if Avida landed a big opera symphonic – Verdi’s “Il Trovatore” (Leontyne Price, Elena Obrazcowa, R.Rimimi / Berlin Philharmonic Orchestra, Herbert von Karajan), “geriatric” rock in the style of “Now What ?!” Deep Purple, or massaging the visage with the Madonna’s Ray of Light synthetic bass every time, the sound filled my room with unrestrained freedom and was excruciatingly encouraged to jump over the eye, two above with the loudness. that, to some extent, I subconsciously reach for material offering such a spectacular experience.

It does not matter if Avida landed a big opera symphonic – Verdi’s “Il Trovatore” (Leontyne Price, Elena Obrazcowa, R.Rimimi / Berlin Philharmonic Orchestra, Herbert von Karajan), “geriatric” rock in the style of “Now What ?!” Deep Purple, or massaging the visage with the Madonna’s Ray of Light synthetic bass every time, the sound filled my room with unrestrained freedom and was excruciatingly encouraged to jump over the eye, two above with the loudness.

Reading the above description, you can come to the conclusion that the Zingali Home Monitor 2.8 Plus are the real eighth wonder of the world, a giant killer and as you usually write at most audio-sparrings a massacring product, or crushing similarly priced competition.

He is a full-fledged representative of his dream high-end. Well, I need people who are so careful to worry – they are not. They are excellent, racial floorers of above-average freedom and spontaneity, in which you can lose yourself without memory, but it is worth remembering that with this Italian producer, the Home Monitor series is just the beginning of an adventure with sound at the highest level.

If you do not believe me, listen to the Client Evo 3.18, or be equipped with the monstrous 21 “woofer of the Client Name Evo 2.1. I was given to listen to the first manufacturer’s salon, this is also the object of this test column I fully deserve compliment, but all the time in the back of my head I have a sound heard in the nearby Aprilia Rome. There is only one problem – admission ticket to the audiophile paradise costs 52-72 k €, so if you do not plan such crazy expenses, I highly recommend listening to 2.8, which will be difficult to find a sensibly priced rival, both in terms of class and appearance. Hot recommendation. and the appearance, reasonably priced rival. Hot recommendation. and the appearance, reasonably priced rival. Hot recommendation.

https://soundrebels.com/zingali-home-monitor-2-8-plus/