Nearly five decades later, that amp has evolved into the Bryston 3B Cubed. It’s twice as powerful as the original and ten times as impressive. Though it’s one of our smaller amplifiers, it features all the same technology found in our venerable 4B.

A rarified few components in audiophile lore have become so ubiquitous that nearly every music lover once had, lusted after, or if they’re really lucky, currently owns one. One such legend is the Bryston 4B. This product has been manufactured continuously (though often refined) since 1978. Currently this venerated amplifier is on its 6th generation, and it’s never been better. Now rated at 300 watts per channel into 8 ohms

7B mono amplifiers are truly special. Though they don’t look much different, they’re a big step up from the venerable 4B. The power supply for this amplifier is built around a specially wound transformer that is substantially more efficient than normal. With twice the power available, they can drive all but the most brutal loads to lifelike levels. But even at whisper-quiet levels, they reveal detail and nuance in your recordings that you never knew existed until now.

To some, their favorite Bryston amplifier is the 14B. It features huge power, an utterly silent noise floor, and grace in an iron fist. The Bryston 14B has the kind of power usually only found in monoblocks, yet this model is a dual-channel amplifier. That’s not to say it is compact, however. This amplifier is big and heavy. Yet it drives any loudspeaker with agility and speed, rendering your favorite music with exquisite detail.

Besides the fact that this is one of the most powerful amplifiers on the market and can drive virtually any loudspeaker with total grace and ease, the 28B monoblock amplifiers are some of the finest-sounding models ever at any power output. These amplifiers take complete control over your loudspeakers and command them to be their best. Bryston’s first-to-last-watt philosophy demands that each of our products sounds equally amazing at all power output levels. There is no product we have ever engineered that demonstrates this philosophy better than the 28B³. Even if you don’t need all the power these amps offer, you owe yourself the pleasure of a demonstration. Hear the 28B today.

A Class D amplifier is a type of audio amplifier that uses a digital switching technology to amplify audio signals. It is also known as a switching amplifier or a digital (erroneously) amplifier. Un- like traditional analog amplifiers, which use continuous voltage waveforms to amplify signals, Class D amplifiers employ a more efficient method that switches the input signal on and off rapidly.

A Class D amplifier is a type of audio amplifier that uses a digital switching technology to amplify audio signals. It is also known as a switching amplifier or a digital (erroneously) amplifier. Un- like traditional analog amplifiers, which use continuous voltage waveforms to amplify signals, Class D amplifiers employ a more efficient method that switches the input signal on and off rapidly.

Bryston integrated amplifiers give no ground to their separate counterparts. The new Bi-200 is literally constructed from the Bryston BP-19 Preamplifier and 3B amplifier into a single chas- sis offering the best of both products without occupying extra space and costly interconnects.

Bryston integrated amplifiers give no ground to their separate counterparts. The new Bi-200 is literally constructed from the Bryston BP-19 Preamplifier and 3B amplifier into a single chas- sis offering the best of both products without occupying extra space and costly interconnects.

The Bryston BP-19 leverages years of R&D and many design innovations that were achieved during the development of the multi-award-winning BR-20 preamplifier. The BP-19 reproduces music effortlessly, constructed using only the finest hand-selected premium components including an oversized toroidal power transformer.

The Bryston BP-19 leverages years of R&D and many design innovations that were achieved during the development of the multi-award-winning BR-20 preamplifier. The BP-19 reproduces music effortlessly, constructed using only the finest hand-selected premium components including an oversized toroidal power transformer.

What would happen if we designed a truly state-of-the-art analog preamplifier, combined it with our award winning digital-to-analog conversion circuitry, and built-in bit-perfect high-resolution streaming all into a single chassis? Would it sound better than separates?

What would happen if we designed a truly state-of-the-art analog preamplifier, combined it with our award winning digital-to-analog conversion circuitry, and built-in bit-perfect high-resolution streaming all into a single chassis? Would it sound better than separates?

We’ve merged our BDP and BDA platforms into this one new product that starts with our BDA-3 and adds a high quality streamer internally connected with I²S – the most accurate digital interconnection method currently available. Additionally, 10 other inputs are available to make the BDA-3.14 your high resolution digital hub.

We as audiophiles often seek ‘giant killer’ components. Though the phrase is loosely used, rarely, if ever do we find such elusive equipment. The BDA-3 is one of these rare specimens. An extraordinarily well engineered DAC, the BDA-3 is compatible with virtually any digital source component and features measured performance that is very near the theoretical limit of the digital audio streams it can decode.

What makes the BP-2 so special is that it can take such a minuscule signal–2mV or so and amplify it with so little distortion and so little added noise. When switched into MC mode, zero additional noise is added. The transformers are wound so precisely, they are virtually distortion free making the most of your priceless MC cartridge. This is true analog bliss

What makes the BP-2 MM so special is that it can take such a minuscule signal–2mV or so and amplify it with so little distortion and so little added noise. If it weren’t for the characteristic smoothness and organic sound of vinyl, you might swear you were listening to digital.

Bryston’s quest to make the perfect power supply has resulted in two models-the PS-3 and MPS-2. Each is an ideal DC power supply to attached equipment giving them smooth, clean, DC power to modulate with incoming audio. These are mandatory power supplies for some equipment we manufacture and are not intended for use with other gear.

Maybe it’s upgrade time. Out with the MM cartridge, and in with the new high resolution MC model. The Bryston TF-2 is the perfect companion that will bridge the gap between your perfectly fine low-gain MM stage and your new low output cartridge. By providing either 20dB or 31dB of gain (your choice at time of order) without the use of any active circuitry, you can get just the boost you need with superb clarity and virtually no added distortion.