Zingali Twenty Evo Plus 1.2

Also female voices like Femme Schmidt`s “Defenceless” from the album Femme Schmidt – Schmidt cause with the Evo 1.2 quite often comforting shivers, whether the breathy finely chiseled voice. Live recordings like the classic “Hotel California” from the album Hell freezes over by the Eagles are actually a live experience. One completely forgets that one actually consumes a Musikvererve. This also makes good lounge music as on Vargos Beauty the song “Back to Serenety” to the delight. Here you can literally immerse yourself in the sound worlds and would prefer not to emerge any more.

The Zingali Evo 1.2 is on the one hand incredibly analytical and rich in detail, but on the other hand never sounds technical, but absolutely natural and rich in tonal color. Testing often focuses on how highs, mids and basses, as well as the spatiality are reproduced. With the Zingali, such a description seems almost profane to me, as it offers such dynamism, expressiveness, and enthusiasm for playing in which the classical dimensions of sound descriptions take a back seat. You can relax with her completely and enjoy music for hours.

I can easily judge dynamic abilities with “Don`t turn back now” from Mighty Sam McClain’s album Give it up to love. The butcher often asks you, “Can it be a little bit more?” The Zingali Twenty Evo 1.2 simply does more than you’re used to, and offers a sheer unlimited dynamic. The presence of even the smallest details makes the music playback incredibly realistic and effortless.

I listened to a lot of music with the Zingali and was always enthusiastic about it. Since the pair price of 14,800 euros in the standard version of the offered sound equivalent seems completely appropriate. Finding a speaker that sounds better even at a multiple of the price is difficult. The price is also relativized, since the Zingali does not necessarily require powerful and thus often expensive output stages due to the very high efficiency. I can well imagine that this speaker also works very well with tube amplifiers or Class A power amplifiers that deliver no more than 20 watts of power.

One of my favorite songs is recently “Pink Panther” in the version of the Scottish guitarist Ian Melrose, to be found on his album A shot in the dark. The Zingali Twenty Evo immediately fascinated me with the enormous transparency of the playback. The fine fading out of individual guitar strings with an unbelievably differentiated high-tonal detail richness gave me as much pleasure as the perception of the smallest sound events, which often disappear in nirvana with not so high-quality loudspeakers. All this happens with such a matter of course and naturalness that is second to none.

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